The world is not able to understand the sounds, and the long hurricane is coming and going. In many cases, the surface seems to be calm and stagnant, but it is often undercurrent. For example, the old-fashioned topic of inheritance and innovation in the redwood industry, such as the repeated recurrence of fashion trends, has once again made a comeback. I thought that this topic could not be aroused, but it did not expect to sway a splash of water, impacting the major social media and forums within the circle, causing the attention and thinking of the industry.
Where do you start? As a piece of historical touch, artistic vision, and taste of life, mahogany furniture balances its sense of history and sense of the times. How to balance the relationship between tradition and modernity requires serious consideration. If it is said that Chinese furniture only needs to be passed down, or that only mahogany furniture is out of the blind and innovative, it seems not objective enough. Inheritance and innovation must be in place to adapt to the current regular shape of the mahogany market.
From 2003 to 2013, it was a rare decade for Chinese mahogany furniture. From the inheritance to the trend of consciousness flow of innovation, after experiencing the chaotic state before Pangu Kaidi, from the nostalgic trend of the Ming and Qing Dynasties to the innovative heat wave of the bee-stacked, the Chinese mahogany furniture creation participants united and performed in a lively way. A stage play of "The History of Rosewood Furniture".
Just like drama, many people only value the drama in the end, but few people pay attention to whether the play has a soul that touches the nerves. As everyone knows, as early as a few years ago, there was an authoritative expert in the industry who wrote the article "Big Drink" retro advocates as "the harlequin of playing modern dramas in Qing Dynasty costumes." Even if the Qing costumes are gorgeous again, the time has passed, but it can only be used as a plaything for the public.
The shape of the furniture in the Ming and Qing Dynasties is perfect, even if it is made in the original ratio of one to one, the structure of the enamel is fine, and the lines are seamless. If there is no change in the modern living space of the home and some changes in the proportion of the height of the modern person, These pieces of furniture are still only "defectives" that lack vitality, and are not acceptable to the people who pursue the chai vinegar tea.
At the same time, the innovative trend of thought in the redwood community is also “flowering everywhereâ€. Some enterprises only transfer traditional elements to the symbols, and some are eager to do symbolic subtraction on the basis of traditional furniture; others are designed by the West. The influence of the technique is simple in adding Chinese elements to the shape of western-style furniture... The innovation of Dafa is nothing but omnipotent, resulting in a large number of products, and the homogenization is more serious. Because of the corresponding consumer audience, social class and cultural attributes, these positionings are not within the category of “rootless†innovative design that lacks the soul, so the phenomenon of plagiarism is frequently seen. "And it is ridiculous that with the domestic housing market and the economy blowing the horn again and again, these mahogany furniture that entered the market did not encounter "Waterloo" very quickly."
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