The role of packaging in conveying information and encouraging propaganda affirms its special form. It is different from the easel painting or printmaking. It must be clear, concise, and clear. It will enable people to see what they want to promote in a matter of moments and at a distance. In order to achieve this goal, packaging drawings often take a series of assumptions, focus, delete minor details or even background, and can combine different proportions, different time and space activities, and often use symbolic techniques. Inspire people's associations. Therefore, its concept must be able to surpass reality, concentrate on composition, and concisely exaggerate the image. We must use strong and clear colors as the means to prominently express what we want to promote, and to express the intrinsic relationship between matter and matter, and to give the picture even more. Broad meanings, traditional Chinese art, exquisite balance, and intrinsic rhythm. In traditional Chinese paintings, the traditional compositional rules such as dynamic and static, sparse and dense, diverse and complex guest echoes, virtual reality, vertical and horizontal contrast, black and white contrast, and overlapping staggering Often seen. In addition, the ancient bronze patterns, stone reliefs, stone carvings, black and white relationships of folk paper-cut boldness, and woodcut illustrations of the Ming Dynasty can all be confirmed in modern packaging design.
Bronze ornamentation, painted pottery, Wattana, and Chinese knots are precious traditional patterns left by the ancients. They can be used for ancient times, and can be used in certain practical handicrafts and export products packaging today to make these products more national and more With the charm of ancient oriental countries.
Our application of traditional patterns is not simple. It is not just the fact that the ancestors of the old ancestors were "everything national and then the world." The Chinese traditional pattern sprouted during human childhood, grew and developed in a long feudal society, and it must have come from the fetus of the feudal society. Bring out the stamp of feudal culture. It should be understood that some traditional auspicious designs have superstitious and backward dross elements. Therefore, we must follow a scientific and realistic attitude, go on peculiarity, and let it be nationalistic and realistic.
There are many kinds of Chinese traditional patterns, and the number is huge, which embodies the wisdom and wisdom of their ancestors.
Bronze ornamentation, painted pottery, Wattana, and Chinese knots are precious traditional patterns left by the ancients. They can be used for ancient times, and can be used in certain practical handicrafts and export products packaging today to make these products more national and more With the charm of ancient oriental countries.
Our application of traditional patterns is not simple. It is not just the fact that the ancestors of the old ancestors were "everything national and then the world." The Chinese traditional pattern sprouted during human childhood, grew and developed in a long feudal society, and it must have come from the fetus of the feudal society. Bring out the stamp of feudal culture. It should be understood that some traditional auspicious designs have superstitious and backward dross elements. Therefore, we must follow a scientific and realistic attitude, go on peculiarity, and let it be nationalistic and realistic.
There are many kinds of Chinese traditional patterns, and the number is huge, which embodies the wisdom and wisdom of their ancestors.