Several ways to create visual impact

NO.1: The sense of layering between the graphics and the elements of the composition graphics can highlight the topics that they want to embody while disturbing the vision. This kind of expression is often a direct and effective way. This kind of visual disturbance we are talking about is to disperse the viewer's excess line of sight. At the same time, we can better pay attention to the theme of this design. The graphics generated for this kind of interference method are auxiliary graphics for this topic. Just like the graph I quoted below, the irregular semi-transparent elements, lights, numbers, squares, and the enlarged robots in the graphics form a certain sense of depth and hierarchy. The writing elements are at the same time distracting the line of sight. Focus the viewer's attention on the center GUNDAM Death Scythe and the robot below. This kind of design method is a design method that is more common nowadays. Most people may think that it is more COOL. NO.2: The visual line drawing of the composition uses colors or elements to draw the viewer's vision, allowing the viewer to think and watch the work with the designer's thinking. Most of the works that exist today are guided by points, lines, and faces. The works that lead by the appearance of graphics and elements are rare. Like the following figure, the center of vision is the white color block in the middle, and the text in it. The blue line segment that appears at the junction of the upper and lower pictures is the vision of the traction appreciator. Move to text and other small graphics in the graphics. NO.3: The main color blocks in the color-inducing diagram use red and gray, and the white blocks on the large background are strongly contrasted with the red lines. The gray color contrasts with the strong contrast, but also with red. Certain proportions are used, and the texts of the subject biohazard and Carbonfour.com also use black and red contrasts. NO.4: Light-dark induction uses the common features of light refraction, light-sensing, dynamic light perception, and light-dark differences. NO.5: Instantly captures the visual point using the momentary sense of the eyes. NO.6: Grab the breakthrough point by breaking through the visual balance point of the graphic image to achieve the visual requirements. Use the picture material itself to find the breakthrough point of the design. According to the sense of space generated by the graphic itself, the sense of light, and other outstanding places. , to use it to highlight the design theme. As the elevator in the figure shows a strong sense of space, a good flat artwork was created with a little modification. NO.7: Proportionality is based on the proportional relationship of the things themselves, the pursuit of a visually balanced relationship in the relationship of equal proportions, breakthrough in the equal relationship between the things themselves, and the introduction of their own visual focus in order to break through. Just like some exaggerated cartoons, a big-bodied character image, an exaggerated way to distort normal proportions, can inadvertently receive extraordinary results. NO.8: According to the viewer's ability to accept, and the usual feelings, using some elements of daily life, fully consider the viewer's ability to recognize graphics, and impress the viewer with the beauty of nature and the cruel beauty of breaking through the ordinary acceptance ability. Emotions to get people's memories of graphics. NO.9: The visual illusion uses the sense of space in the visual illusion to highlight the visual center of the overall design. NO.10: Abstract Expressions In the following two sub-artworks, the abstract color blocks used by the authors represent seawater and land. Using color contrasts to highlight topics and also play a certain degree of entertainment, such works are easy. People have a good impression, and it is not easy to forget.