What is composition?
Du Niang said: composition is a term of plastic art, that is, according to the requirements of the theme and the theme, the image is properly organized to form a coordinated and complete picture.
How important is composition?That is quite important. Let's just say, if Qi Baishi is not good in composition, the brush will fall from the first line to the n line. If Manet is not good in composition, um, many paintings are easier to understand. Hahaha... I understand the composition before I know that they are playing this, and they are making it in this direction.
1. Composition is one of the foundations of painting and one of the most easily overlooked subjects in modern times. The reason is that most of the current painters do not have creative components, but simply depict objects. This will be known when you go to the beauty exhibition.
2. Composition studies have the greatest improvement in graphic art, and illustrators must learn.
3. The association between composition and creation is relatively large, because simple sketching or practice is about a single purpose (fast-record-analysis), and integrating all the artistic abilities and resources requires coordination, that is, composition--- - The composition in painting mainly reflects the ability to compose.
So how do I learn to compose a picture?If you are composing a picture, you can’t be anxious. Let’s first appreciate a few famous paintings.
â–¼ "The Trackman on the Volga River"
Speaking of Russian realistic painting, it will inevitably give people a clumsy, old realistic feeling, such as the above, there are many people who don't feel particularly good, because it is not good, and secondly there is no interest, at least less than the naked female court.
First of all, make it clear that this is a creation, not a sketch. This also means a man-made environment that creates a credible, unreal picture that is the main direction in today's entertainment paintings (family, games, comics).
Secondly, all the images here are purposeful design, such as poor peasants, retired soldiers, young child laborers, etc., can capture hints from the decorative clothes. This is an extremely successful example in character shaping.
Another is the composition, the typical long triangle composition, left and right small. Let's assume that everyone looks to the left, what happens? It will make the audience feel that there is something on the left side, but it is impossible to know, because the canvas has no reserved space, and it is easy to cause the ship in the distance to be ignored. It is misunderstood that this is a picture of everyone's parade. Therefore, the author is in the height of the character (such as the pipe man), the staggering of the eyes (in all directions), the dense relationship of the characters, and so on. This detailed, you can go deep into the art history review article, do not index here, eat it.
The picture structure of "The Lady of the Sith" seems to be simple, but the picture is taken at the same time using the three forms of cross and triangle and circle.
The inner connection from the Madonna holding Jesus to the two little angels below presents the cross effect, giving the picture a sacred and solemn atmosphere that is inviolable.
At the same time, the Madonna and the Pope and Modara formed a visual effect of a triangle, and the two curtains above the figure appear to be somewhat old-fashioned, but they just strengthen the effect of this triangle. The Madonna is calm and calm, and the open-minded mental expression is The performance of the beautiful in place.
However, the image of several groups of characters in the whole work has formed an ellipse, thus strengthening the sense of connection between the various images.
â–¼Da Vinci - The Last Supper
Both of them are composed of parallel radiant lines. In the Last Supper, Jesus is at the center of the picture.
It is precisely because the axis of the parallel line is visually naturally concentrated, so all the people in the picture are closely connected to the body of Jesus. The entire row of people and the front long table form parallel horizontal lines that form a visual impression of the two sides in the composition.
This kind of visual guidance makes the different faces, different moods and personalities of all disciples appear in front of the audience one by one, providing enough space for fully portraying each image and the connection between them.
There are many more, not to mention here to put the map:
Of course, when creating, you should not be too rigid about a single way of segmentation. It is the best to find a coordinated split combination. Let's talk about how to find a coordinated combination and guide the viewer's sight through such a combination.
1. Respond using similar shapes
Creation is a rigorous process. Even in a simple still life, the items in the painting cannot be chosen casually. The above figure uses an object with a nearly trapezoidal appearance and a trapezoidal position. The same shape echoes each other here, giving the picture a sense of harmony.
2. Use the contrast between light and dark to guide the line of sight or the picture above, and do a decolorization process. My own habit is that the line of sight is first attracted to the brightest part, then walks into the dark with the guidance of the light, and after a while in the dark, it is gradually attracted by the light.
Let's take a closer look at the picture. After adding the contrast to the above image, the following figure is obtained.
As can be seen from the figure, the visual center of this picture is in the brightest part of the garlic. The line of sight will first see the garlic, then follow the garlic to the place where the cup shines, and then go up to see the highlight of the cup, follow the cup. The highlights, our vision came to the high light of the clay pot, followed by the high light of the flower, and finally returned to the garlic to form a closed loop of sight.
Combining the above two methods, let's take a small practice~
Let's take a 10-minute look at the picture below. Think about what shapes this map can solve and how the line of sight flows.
Published reference:
These shapes have obvious directivity. We can see that the line of sight will follow the direction of the person's gesture, hair, fan, and pleats flow between the two characters (red line). At the same time, in the blue line, we can see black hair and white flowers, white clothes and dark plants form a contrast, so that our line of sight will unconsciously follow this contrast between the two. .
3. Balance of picture power If the weight of each element of the picture is given, then the weight of the person is usually greater than the weight of the scene, and the weight of the foreground is usually greater than the background (but not absolute).
For example, in this picture, we can simply divide into the foreground and the background: the foreground is people, trees, buildings, stones, and so on. The back view is the sky.
Next, we will make a distinction between the foreground and the background, and we can see that the weight on the right side of the screen is greater than the left side.
At this time, if a point of a different color is added to the left side (which can be understood as a high-weight object), the line of sight will be pulled to the left, thereby increasing the weight on the left side.
At this time, adding another building that is different in shape from the surrounding environment will make the power of the picture more complicated and remove the monotony. And there is a connection between people and the building, which makes the picture more balanced.
Graphics and texts from network intrusion
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